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Steve Ayorinde, Commissioner for Tourism, Arts and Culture. [Photo credit: Official Facebook page of Steve Ayorinde.]

Steve Ayorinde, former Commissioner for Tourism, Arts and Culture. [Photo credit: Official Facebook page of Steve Ayorinde.]

Steve Ayorinde celebrates new Nigerian cinema in landmark book

From classic oldies like Asewo To Re Mecca and Living In Bondage, both in 1992, to Half of a Yellow Sun and the more recent King Of Boys, The Milkmaid and Amina, the book curates a decadent spread of some of the films that redefined the new Nigerian cinema.

byJayne Augoye
February 11, 2023
Reading Time: 2 mins read
0

A new book that celebrates the landmark achievements and outstanding practitioners in the Nigerian film industry has been published.

Titled ’30: Three Decades Of The New Nigerian Cinema – A Bystander’s Verdict’, the book is authored by celebrated journalist, film critic and former Commissioner for Tourism Arts & Culture in Lagos State, Steve Ayorinde.

The book is being sold globally by Amazon in print (hardcopy and paperback) and Kindle.

The book is available on Smashwords and Lulu for global audiences and on Okadabooks in Nigeria.

Patrons Media, the co-publishers, in a statement on Friday, said a formal unveiling is planned for after the general elections in Nigeria at the end of March.

“In six chapters, 30: Three Decades Of The New Nigerian Cinema curates 30 each of those that the author considers outstanding among directors, actors, actresses and feature films released in Nigeria since 1992.”

Quoting from the book’s Preface, the statement highlighted the author’s intention in writing about an industry that he has encountered closely as a cub reporter, editor and columnist, editor-in-chief, member of the jury and as commissioner.

“This book simply seeks to celebrate and document some of the outstanding films, directors, actors and landmark events, which have, in the past 30 years or thereabout, defined the industry we now celebrate today, without forgetting other legendary names that played their parts but who are no more on planet earth.”

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The statement said, “thirty such outstanding professionals and movies have been selected for notable highlights in this book as exemplary representatives from a large pool of talented practitioners and memorable films that best celebrate this phenomenal industry in the past three decades.

“This industry was built out of their sweat and labour of love. The choices in this publication are my preferences as someone who has encountered the industry and most of its key players closely for more than 30 years,” the statement quoted Ayorinde in the book’s Preface.

From classic oldies like Asewo To Re Mecca and Living In Bondage, both in 1992, to Ti Oluwa Nile, Glamour Girls, Mortal Inheritance and Igodo; up to Ije, October 1, Sadauki, Half of a Yellow Sun and the more recent King Of Boys, The Milkmaid and Amina, the book curates a decadent spread of some of the films that redefined the new Nigerian cinema.

Foreword

In his Foreword to the book, a respected scholar and one of the first international academics to spread the gospel of Nollywood globally, Jonathan Haynes, a professor, said Mr Ayorinde’s journalistic work in the early and mid-1990s “were the first I found that gave some kind of handle on what this thing (Nollywood phenomenon) was and who the people were who were creating it.”

He said in one way or another, the film industry has always been in his (Ayorinde) bailiwick.

“You don’t see a masquerade standing in one place, as the old saying has it. Ayorinde has moved around, but he’s never lost sight of the movies, and the fruits of decades of continuous observation and judgement are here in this new book, which I’m pleased to be able to help welcome into the world.”

In her “Encore” (Last Word) submission in the book, the late President of the Association of Movie Producers (AMP) and founder of the African Movies Academy Awards (AMAA), Peace Anyiam-Osigwe, said the book is a necessary tool to goad the industry towards the right path for the next 30 years.

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“The Nollywood Industry needs to find its way back to its purest beginning, where collaboration drove the energy in the room. As the industry grew, unfortunately, so did its extreme need to be an Industry filled with envy and competitive spirit.

“I believe that in the next 30 years, Nollywood will have built proper film studios to help our quality control. To remain relevant as the content kings, I would love to see Nollywood look deeper inside, celebrating quality, listening and responding to criticism and pushing towards quality.”

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Jayne Augoye

Jayne Augoye

Jayne Augoye is an assistant editor and covers the entertainment and lifestyle beat for PREMIUM TIMES. She has a master's degree in Media and Communication from the Pan Atlantic University. Twitter: @jaynejones

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